The Terminal Man - Crichton Michael. Страница 12

At 6 a.m. Janet Ross was on the third surgical floor, dressed in greens, having coffee and a doughnut. The surgeons' lounge was busy at this hour. Although operations were scheduled to begin at six, most didn't get going for fifteen or twenty minutes after that. The surgeons sat around, reading the newspaper, discussing the stock market and their golf games. From time to time one of them would leave, go to the overhead viewing galleries, and look down on their ORs to see how preparations were coming.

She was the only woman in the room, and her presence changed the masculine atmosphere subtly. It annoyed her that she should be the only woman, and it annoyed her that the men should become quieter, more polite, less jovial and raucous. She didn't give a damn if they were raucous, and she resented being made to feel like an intruder. It seemed to her that she had been an intruder all her life, even when she was very young. Her father had been a surgeon who never bothered to conceal his disappointment and irritation that he had a daughter instead of a son. A son would have fitted into his scheme of life; he could have brought him to the hospital on Saturday mornings, taken him into the operating rooms - those were all things you could do with a son. But a daughter was something else, a perplexing entity not suited for a surgical life. And therefore an intrusion…

She looked around at all the surgeons in the lounge, and then, to cover her unease, she went to the phone and dialed the seventh floor.

"This is Dr. Ross. Is Mr. Benson on call?"

"He was just sent."

"When did he leave the floor?"

"About five minutes ago."

She hung up and went back to her coffee. Ellis appeared and waved to her across the room. "There'll be a five-minute delay hooking into the computer," he said. "They're tying in the lines now. Is the patient on call?"

"Sent five minutes ago."

"You seen Morris?"

"Not yet."

"He better get his ass down here," Ellis said.

Somehow that made her feel good.

Morris was in the elevator with a nurse and Benson, who lay on a stretcher, and one of the cops. As they rode down, Morris said to the cop, "You can't get off on the floor."

"Why not?"

"We're going onto the sterile floor directly."

"What should I do?" The cop was intimidated. He'd been docile and hesitant all morning. The routine of surgery left him feeling a helpless outsider.

"You can watch from the viewing gallery on the third floor. Tell the desk nurse I said it was all right."

The cop nodded. The elevator stopped at the second floor. The doors opened to reveal a hallway with people, all in surgical greens, walking back and forth. A large sign read STERILE AREA. NO ADMITTANCE WITHOUT AUTHORIZATION. The lettering was red.

Morris and the nurse wheeled Benson out of the elevator.

The cop remained behind, looking nervous. He pushed the button for the third floor, and the doors closed.

Morris went with Benson down the corridor. After a moment, Benson said, "I'm still awake."

"Of course you are."

"But I don't want to be awake."

Morris nodded patiently. Benson had gotten pre-op medications half an hour earlier. They would be taking effect soon, making him drowsy. "How's your mouth?"

"Dry"

That was the atropine beginning to work. "You'll be okay." Morris himself had never had an operation. He'd performed hundreds, but never experienced one himself. In recent years, he had begun to wonder how it felt to be on the other side of things. He suspected, though he would never admit it, that it must be awful.

"You'll be okay," he said to Benson again, and touched his shoulder.

Benson just stared at him as he was wheeled down the corridor to OR 9.

OR 9 was the largest operating room in the hospital. It was nearly thirty feet square and packed with electronic equipment. When the full surgical team was there - all twelve of them - things got pretty crowded. But now just two scrub nurses were working in the cavernous gray-tiled space. They were setting out sterile tables and drapes around the chair.

OR 9 had no operating table. Instead, there was a softly cushioned upright chair, like a dentist's chair. Janet Ross watched the girls through the windows in the door that separated the scrub room from the operating room. Alongside her, Ellis finished his scrub and muttered something about fucking Morris being fucking late. Ellis got profane before operations. He also got very nervous, though he seemed to think nobody noticed that. Ross had scrubbed with him on several animal procedures and had seen the ritual - tension and profanity before the operation, and utter bland calmness once things were under way.

Ellis turned off the faucets with his elbows and entered the OR, backing in so that his arms did not touch the door. A nurse handed him a towel. While he dried his hands, he looked back through the door at Ross, and then up at the glass-walled viewing gallery overhead. Ross knew there would be a crowd in the gallery watching the operation.

Morris came down and began scrubbing. She said, "Ellis wondered where you were."

"Tour guide for the patient," he said.

One of the circulating nurses entered the scrub room and said, "Dr. Ross, there's somebody here from the radiation lab with a unit for Dr. Ellis. Does he want it now?"

"If it's loaded," she said.

"I'll ask," the nurse said. She disappeared, and stuck her head in a moment later. "He says it's loaded and ready to go, but unless your equipment is shielded it could give you trouble."

Ross knew that all the OR equipment had been shielded the week before. The plutonium exchanger didn't put out much radiation - not enough to fog an X-ray plate - but it could confuse more delicate scientific equipment. There was, of course, no danger to people.

"We're shielded," Ross said. "Have him take it into the OR."

Ross turned to Morris, scrubbing alongside her. "How's

Benson?"

"Nervous."

"He should be," she said. Morris glanced at her, his eyes questioning above the gauze surgical mask. She shook her hands free of excess water and backed into the OR. The first thing she saw was the rad-lab man wheeling in the tray with the charging unit on it. It was contained in a small lead box. On the sides were stenciled DANGER RADIATION and the triple-blade orange symbol for radiation. It was all faintly ridiculous; the charging unit was quite safe.

Ellis stood across the room, being helped into his gown. He plunged his hands into his rubber gloves and flexed his fingers. To the rad-lab man he said, "Has it been sterilized?"

"Sir?"

"Has the unit been sterilized?"

"I don't know, sir."

"Then give it to one of the girls and have her autoclave it. It's got to be sterile."

Dr. Ross dried her hands and shivered in the cold of the operating room. Like most surgeons, Ellis preferred a cold room - too cold, really, for the patient. But as Ellis often said, "If I'm happy, the patient's happy."

Ellis was now across the room standing by the viewing box, while the circulating nurse, who was not scrubbed, put up the patient's X-rays. Ellis peered closely at them, though he had seen them a dozen times before. They were perfectly normal skull films. Air had been injected into the ventricles, so that the horns stood out darkly.

One by one the rest of the team filtered into the room.

All together, there were two scrub nurses, two circulating nurses, one orderly, Ellis, two assistant surgeons including Morris, two electronics technicians, and a computer programmer. The anaesthetist was outside with Benson.

Without looking up from his console, one of the electronics men said, "Any time you want to begin, Doctor."

"We'll wait for the patient," Ellis said dryly, and there were some chuckles from the Nine Group team.

Ross looked around the room at the seven TV screens. They were of different sizes and stationed in different places, depending on how important they were to the surgeon. The smallest screen monitored the closed-circuit taping of the operation. At the moment, it showed an overhead view of the empty chair.

Another screen, nearer the surgeon, monitored the electroencephalogram, or EEG. It was turned off now, the sixteen pens tracing straight white lines across the screen. There was also a large TV screen for basic operative parameters: electrocardiogram, peripheral arterial pressure, respirations, cardiac output, central venous pressure, rectal temperature. Like the EEG screen, it was also tracing a series of straight lines.

Another pair of screens were completely blank. They would display black-and-white image-intensified X-ray views during the operation.

Finally, two color screens displayed the LIMBIC Program output. That program was cycling now, without punched-in coordinates. On the screens, a picture of the brain rotated in three dimensions while random coordinates, generated by computer, flashed below. As always, Ross felt that the computer was another, almost human presence in the room - an impression that was always heightened as the operation proceeded.

Ellis finished looking at the X-rays and glanced up at the clock. It was 6:19; Benson was still outside being checked by the anaesthetist. Ellis walked around the room, talking briefly to everyone. He was being unusually friendly, and

Ross wondered why. She looked up at the viewing gallery and saw the director of the hospital, the chief of surgery, the chief of medicine, and the chief of research all looking down through the glass. Then she understood.

It was 6:21 when Benson was wheeled in. He was now heavily pre-medicated, relaxed, his body limp, his eyelids heavy. His head was wrapped in a green towel.

Ellis supervised Benson's transfer from the stretcher to the chair. As the leather straps were placed across his arms and legs, Benson seemed to wake up, his eyes opening wide.

"That's just so you don't fall off," Ellis said easily.

"We don't want you to hurt yourself."

"Uh-huh," Benson said softly, and closed his eyes again. Ellis nodded to the nurses, who removed the sterile towel from Benson's head. The naked head seemed very small - that was Ross's usual reaction - and white. The skin was smooth, except for a razor nick on the left frontal. Ellis's blue-ink