Rita Hayworth and Shawshank Redemption - King Stephen Edwin. Страница 8

I looked for a long time. For a few minutes it was like I didn’t even dare touch them, they were so pretty. There’s a crying shortage of pretty things in the slam, and the real pity of it is that a lot of men don’t even seem to miss them.

There were two pieces of quartz in that box, both of them carefully polished. They had been chipped into driftwood shapes. There were little sparkles of iron pyrites in them like flecks of gold. If they hadn’t been so heavy, they would have served as a fine pair of men’s cufflinks — they were that close to being a matched set. How much work went into creating those two pieces? Hours and hours after lights out, I knew that. First the chipping and shaping, and then the almost endless polishing and finishing with those rock-blankets. Looking at them, I felt the warmth that any man or woman feels when he or she is looking at something pretty, something that has been worked and made — that’s the thing that really separates us from the animals, I think — and I felt something else, too. A sense of awe for the man’s brute persistence. But I never knew just how persistent Andy Dufresne could be until much later.

In May of 1950, the powers that be decided that the roof of the license-plate factory ought to be resurfaced with roofing tar. They wanted it done before it got too hot up there, and they sued for volunteers for the work, which was planned to take about a week. More than seventy men spoke up, because it was outside work and May is one damn fine month for outside work. Nine or ten names were drawn out of a hat, and two of them happened to be Andy’s and my own.

For the next week we’d be marched out to the exercise yard after breakfast, with two guards up front and two more behind … plus all the guards in the towers keeping a weather eye on the proceedings through their field-glasses for good measure.

Four of us would be carrying a big extension ladder on those morning marches — I always got a kick out of the way Dickie Betts, who was on that job, called that sort of ladder an extensible — and we’d put it up against the side of that low, lit building. Then we’d start bucket-brigading hot buckets of tar up to the roof. Spill that shit on you and you’d jitterbug all the way to the infirmary.

There were six guards on the project, all of them picked on the basis of seniority. It was almost as good as a week’s vacation, because instead of sweating it out in the laundry or the plate-shop or standing over a bunch of cons cutting pulp or brush somewhere out in the willy wags, they were having a regular May holiday in the sun, just sitting there with their backs up against the low parapet, shooting the bull back and forth.

They didn’t even have to keep more than half an eye on us, because the south wall sentry post was close enough so that the fellows up there could have spit their chews on us, if they’d wanted to. If anyone on the roof-sealing party had made one funny move, it would take four seconds to cut him smack in two with .45 calibre machine-gun bullets. So those screws just sat there and took their ease. All they needed was a couple of six-packs buried in crushed ice, and they would have been the lords of all creation.

One of them was a fellow named Byron Hadley, and in that year of 1950, he’d been at Shawshank longer than I had. Longer than the last two wardens put together, as a matter of fact. The fellow running the show in 1950 was a prissy-looking downcast Yankee named George Dunahy. He had a degree in penal administration. No one liked him, as far as I could tell, except the people who had gotten him his appointment. I heard that he wasn’t interested in anything but compiling statistics for a book (which was later published by a small New England outfit called Light Side Press, where he probably had to pay to have it done), who won the intramural baseball championship each September, and getting a death-penalty law passed in Maine. A regular bear for the death-penalty was George Dunahy. He was fired off the job in 1953, when it came out he was running a discount auto repair service down in the prison garage and splitting the profits with Byron Hadley and Greg Stammas. Hadley and Stammas came out of that one okay — they were old hands at keeping their asses covered — but Dunahy took a walk. No one was sorry to see him go, but nobody was exactly pleased to see Greg Stammas step into his shoes, either. He was a short man with a tight, hard gut and the coldest brown eyes you ever saw. He always had a painful, pursed little grin on his face, as if he had to go to the bathroom and couldn’t quite manage it. During Stammas’s tenure as warden there was a lot of brutality at Shawshank, and although I have no proof, I believe there were maybe half a dozen moonlight burials in the stand of scrub forest that lies east of the prison. Dunahy was bad, but Greg Stammas was a cruel, wretched, cold-hearted man.

He and Byron Hadley were good friends. As warden, George Dunahy was nothing but a posturing figurehead; it was Stammas, and through him, Hadley, who actually administered the prison.

Hadley was a tall, shambling man with thinning red hair. He sunburned easily and he talked loud and if you didn’t move fast enough to suit him, he’d clout you with his stick. On that day, our third on the roof, he was talking to another guard named Mert Entwhistle.

Hadley had gotten some amazingly good news, so he was griping about it. That was his style — he was a thankless man with not a good word for anyone, a man who was convinced that the whole world was against him. The world had cheated him out of the best years of his life, and the world would be more than happy to cheat him out of the rest. I have seen some screws that I thought were almost saintly, and I think I know why that happens — they are able to see the difference between their own lives, poor and struggling as they might be, and the lives of the men they are paid by the state to watch over. These guards are able to formulate a comparison concerning pain. Others can’t, or won’t.

For Byron Hadley there was no basis of comparison. He could sit there, cool and at his ease under the warm May sun and find the gall to mourn his own good luck while less than ten feet away a bunch of men were working and sweating and burning their hands on great big buckets filled with bubbling tar, men who had to work so hard in their ordinary round of days that this looked like a respite. You may remember the old question, the one that’s supposed to define your outlook on life when you answer it. For Byron Hadley the answer would always be half empty, the glass is half empty. Forever and ever, amen. If you gave him a cool drink of apple cider, he’d think about vinegar. If you told him his wife had always been faithful to him, he’d tell you it was because she was so damn ugly.

So there he sat, talking to Mert Entwhistle loud enough for all of us to hear, his broad white forehead already starting to redden with the sun. He had one hand thrown back over the low parapet surrounding the roof. The other was on the butt of his .38.

We all got the story along with Mert. It seemed that Hadley’s older brother had gone off to Texas some fourteen years ago and the rest of the family hadn’t heard from the son of a bitch since. They had all assumed he was dead, and good riddance. Then, a week and a half ago, a lawyer had called them long-distance from Austin. It seemed that Hadley’s brother had died four months ago, and a rich man at that (‘It’s frigging incredible how lucky some assholes can get,’ this paragon of gratitude on the plate-shop roof said). The money had come as a result of oil and oil-leases, and there was close to a million dollars.

No, Hadley wasn’t a millionaire — that might have made even him happy, at least for a while — but the brother had left a pretty damned decent bequest of thirty-five thousand dollars to each surviving member of his family back in Maine, if they could be found. Not bad. Like getting lucky and winning a sweepstakes.