Serial - Crouch Blake. Страница 33

The lawmen were businesslike in their delivery, taking turns with the details, as if they’d rehearsed who would say what, their voices so terribly measured and calm.

There wasn’t much information yet. Rachael’s Cherokee had been found on the shoulder of Arizona 85 in Organ Pipe Cactus National Monument. Right front tire flat, punctured with a nail to cause a slow and steady loss of air pressure. Driver side window busted out.

No Rachael. No blood.

They asked Will a few questions. They tried to sympathize. They said how sorry they were, Will just shaking his head and staring at the floor, a tightness in his chest, constricting his windpipe in a slow strangulation.

He happened to look up at some point, saw Devlin standing in the hall in a plain pink tee-shirt that fell all the way to the carpet, the tattered blanket she’d slept with every night since her birth draped over her left arm. And he could see in her eyes that she’d heard every word the patrolmen had said about her mother, because they were filling up with tears.

4

Rachael Innis was strapped upright with two-inch webbing to the leather seat behind the driver. She stared at the console lights. The digital clock read 4:32 a.m. She remembered the crowbar through the window and nothing after.

Bach’s Four Lute Suites blared from the Bose stereo system, John Williams playing the classical guitar. Beyond the windshield, the headlights cut a feeble swath of light through the darkness, and even though she was riding in a luxury SUV, the shocks did little to ease the violent jarring from whatever primitive road they traveled.

Her wrists and ankles were comfortably but securely bound with nylon restraints. Her mouth wasn’t gagged. From her vantage point, she could only see the back of the driver’s head and occasionally the side of his face by the cherry glow of his cigarette. He was smooth-shaven, his hair was dark, and he smelled of a subtle, spicy cologne.

It occurred to her that he didn’t know she was awake, but the thought wasn’t two seconds old when she caught his eyes in the rearview mirror. They registered her consciousness, turned back to the road.

They drove on. An endless stream of rodents darted across the road ahead and a thought kept needling her—at some point, he was going to stop the car and do whatever he was driving her out in the desert to do.

“Have you urinated on my seat?” She thought she detected the faintest accent.

“No.”

“You tell me if you have to urinate. I’ll stop the car.”

“Okay. Where are you—”

“No talking. Unless you have to urinate.”

“I just—”

“You want your mouth taped? You have a cold. That would make breathing difficult.”

Devlin was the only thing she’d ever prayed for and that was years ago, but as she watched the passing sagebrush and cactus through the deeply tinted windows, she pleaded with God again.

Now the Escalade was slowing. It came to a stop. He turned off the engine and stepped outside and shut the door. Her door opened. He stood watching her. He was very handsome, with flawless, brown skin (save for an indentation in the bridge of his nose), liquid blue eyes, and black hair greased back from his face. His pretty teeth seemed to gleam in the night. Rachael’s chest heaved against the strap of webbing.

He said, “Calm down, Rachael.” Her name sounded like a foreign word on his lips. He took out a syringe from his black leather jacket and uncapped the needle.

“What is that?” she asked.

“You have nice veins.” He ducked into the Escalade and turned her arm over. When the needle entered, she gasped.

“Please listen. If this is some kind of ransom thing—”

“No, no. You’ve already been purchased. In fact, right now, there isn’t a safer place in the world for you to be than in my possession.”

A gang of coyotes erupted in demonic howls somewhere out in that empty dark and Rachael thought they sounded like a woman burning alive, and she began to scream until the drug took her.

The following is an excerpt of Shaken by J.A. Konrath.

1989, June 23

This guy isn’t a killer, Dalton thinks. He’s a butcher.

Dalton isn’t repulsed by the spectacle, or even slightly disturbed. He stays detached and professional, even as he snaps a picture of Brotsky tearing at the prostitute’s body with some kind of three-pronged garden tool.

There’s a lot of blood.

Dalton wonders if he should have brought color film. But there’s something classic, something pure, about shooting in black and white. It makes real life even more realistic.

Dalton opens the f-stop on the lens, adjusting for the setting sun. He’s standing in the backyard of Brotsky’s house, and his subject has been gracious enough to leave the blinds open. From his spot on the lawn, Dalton has a clear view into Brotsky’s living room, where the carnage is taking place. Though Brotsky has a high fence and plenty of foliage on his property, he’s still taking a big risk. There are neighbors on either side, and the back gate leading to the alley is unlocked. Anyone could walk by.

It’s not a smart way to conduct a murder.

Dalton has watched Brotsky kill two hookers in this fashion, and surely there have been others. Yet the Chicago Police Department hasn’t come knocking on Brotsky’s door yet. Brotsky has been incredibly lucky so far.

But luck runs out.

At least Brotsky has the sense to put a tarp down, Dalton thinks.

He snaps another photo. Brotsky’s naked barrel chest is slick with gore, and the look on his unshaven face is somewhere between frenzy and ecstasy as he works the garden tool. He’s not a tall man, but he’s thick, with big muscles under a layer of hard fat. Brotsky sweats a lot, and his bald head gives off a glare which Dalton offsets by using a filter on his lens.

Brotsky sets down the garden tool, and picks up a cleaver.

Yeah, this guy is nuts.

Truth told, Dalton has done worse to people, at least as far as suffering goes. If the price is right, Dalton will drag someone’s death out for hours, or even days. But Dalton gets no pleasure from the task. Killing is simply his business.

Brotsky is killing to meet baser needs. Sex. Power. Blood lust. Hunger, Dalton muses, taking a shot of Brotsky with his mouth full of something moist.

If Brotsky sticks to his MO, he’ll dismember the girl, wrap up her parts in plastic bags, and then take her severed head into the shower with him. When Brotsky returns, he’ll be squeaky clean, and the head will be gone. Then he’ll load the bags into his car and haul them to the dump site.

Dalton guesses it will be another eleven minutes. He waits patiently, taking occasional snapshots, musing about what Brotsky does with the heads. Dalton isn’t bothered by the heat or the humidity, even though it’s close to ninety degrees and he’s wearing a suit and tie. Unlike Brotsky, Dalton doesn’t sweat. Dalton has pores. He just never feels the need to use them.

Exactly eleven minutes and nine seconds later, Brotsky walks out his back door, dressed in shorts, sandals, and a wrinkled blue Hawaiian shirt. He’s lugging several black plastic garbage bags. The man is painfully unaware, and doesn’t even bother looking around. He walks right past Dalton, who is hiding behind the girth of an ancient oak tree, gun in hand.

The hitman falls into step behind the butcher, his soft-soled shoes silent on the walkway. He trails Brotsky, close as a shadow, for several steps and then jams the Ruger against the fat man’s back. Brotsky stops cold.