Rage - Smith Wilbur. Страница 13

'Time to go to sleep, Bella baby." The moment the lights went out Isabella let out such a shriek that Tara was stricken with alarm.

'What is it, baby?" She snapped on the lights again and rushed back to the bed.

'I've forgiven teddy. He can sleep with me after all." The teddy-bear was ceremoniously reinstated in Isabella's favour

!!Z

and she took him in a loving half-nelson and stuck her other thumb in her mouth.

'When is my Daddy coming home?" she demanded drowsily around the thumb, but her eyes were closed and she was asleep before Tara reached the door.

Sean was sitting on Garrick's chest in the middle of the bedroom floor, tweaking the hair at his brother's temples with sadistic finesse.

Tara separated them.

'Sean, you get back to your own room this instant, do you hear me?

I have warned you a thousand times about bullying your brothers. Your father is going to hear all about this when he gets home." Garrick snuffled up his tears and came wheezing to his elder brother's defence.

'We were only playing, Mater. He wasn't bullying me." But she could hear that he was on the verge of another asthma attack. She wavered. She really should not go out, not with an attack threatening, but tonight was so important.

Tll prepare his inhaler and tell Nanny to look in on him every hour until I get back,' she compromised.

Michael was reading, and barely looked up to receive her kiss.

'Lights out at nine o'clock. Promise me, darling." She tried never to let it show, but he was always her favourite.

'I promise, Mater,' he murmured and under cover of the eiderdown carefully crossed his fingers.

On the way down the stairs she glanced at her wristwatch. It was five minutes before eight. She was going to be late, and she stifled her maternal feelings of guilt and fled out to her old Packard.

Shasa detested the Packard, taking its blotched sun-faded paintwork and its shabby stained upholstery as an affront to the family dignity. He had given her a new Aston Martin on her last birthday, but she left it in the garage. The Packard suited her Spartan image: of herself as a caring liberal, and it blew a streamer of dirty smoke as she accelerated down the long driveway, taking a perverse pleasure in sending a pall of fine dust over Shasa's meticulously groomed vineyards. It was strange how even after all these years she felt herself a stranger at Weltevreden, and alien amongst its treasures and stuffy old-fashioned furnishings. If she lived here another fifty years it would never be her home, it was Centaine Courtney-Malcomess' home, the other woman's touch and memory lingered in every room that Shasa would never allow her to redecorate.

She escaped through the great ostentatious Anreith gateway into the real world of suffering and injustice, where the oppressed masses wept and struggled and cried out for succour and where she felt useful and relevant, where in the company of other pilgrims she could march forward to meet a future full of challenge and change.

The Broadbursts' home was in the middle-class suburb of Pinelands, a modern ranch-type home with a flat roof and large picture windows, with ordinary functional mass-produced furniture and nylon wall-to-wall carpets. There were dog hairs on the chairs, well thumbed intellectual books piled in odd corners or left open on the dining-room table, children's toys abandoned in the passageways, and cheap reproductions of Picasso and Modigliani hanging askew on the walls marked with grubby little fingerprints. Tara felt comfortable and welcome here, mercifully released from the fastidious splendour of Weltevreden.

Molly Broadhurst rushed out to meet her as she parked the Packard.

She was dressed in a marvellously flamboyant caftan.

'You're late!" She kissed Tara heartily and dragged her through the disorder of the lounge to the music room at the rear.

The music room was an afterthought stuck on to the end of the house without any aesthetic considerations and was filled now with Molly's guests who had been invited to hear Moses Gama. Tara's spirits soared as she looked around her, they were all vibrant creative people, all of them spirited and articulate, filled with the excitement of living and a fine sense of justice and outrage and rebellion.

This was the type of gathering that Weltevreden would never see.

Firstly, black people were included, students from the black University of Fort Hare and the fledgling University of the Western Cape, teachers and lawyers and even a black doctor, all of them political activists who, although denied a voice or a vote in the white parliament, were beginning to cry out with a passion that must be heard.

There was the editor of the black magazine Drum and the local correspondent of the Sowetant named after that sprawling black township.

Just to mingle socially with blacks made her feel breathlessly daring.

The whites in the room were no less extraordinary. Some of them had been members of the Communist Party of South Africa before that organization had been disbanded a few years previously. There was a man called Harris who she had met before at Molly's house.

He had fought with the Irgun in Israel against the British and the Arabs, a tall fierce man who inspired a delicious fear in Tara. Molly hinted that he was an expert in guerrilla warfare and sabotage, and certainly he was always travelling secretly around the country or slipping across the border into neighbouring states on mysterious business. u Talking earnestly to Molly's husband was another lawyer from Johannesburg, Brain Fischer, who specialized in defending black clients charged under the myriad laws that were designed to muzzle and disarm them and restrict their movements. Molly said that Brain was reorganizing the old Communist Party into underground cells, and Tara fantasized that she might one day be invited to join one of these cells.

In the same group was Marcus Archer, another ex-communist and an industrial psychologist from the Witwatersrand. He was responsible for the training of thousands of black workers for the goldmining industry, and Molly said that he had helped to organize the black mineworkers' union. Molly had also whispered that he was a homosexual, and she had used an odd term for it that Tara had never heard before. 'He's gay, gay as a lark." And because it was totally unacceptable to polite society, Tara found it fascinating.

'Oh God, Molly,' Tara whispered. 'This is so exciting. These are all real people, they make me feel as though I am truly living at last." 'There he is." Molly smiled at this outburst and dragged Tara with her through the press of bodies.

Moses Gama leaned against the far wall faced by a half circle of admirers, yet standing head and shoulders above them, and Molly pushed her way into the front row.

Tara found herself staring up at Moses Gama, and she thought that even in this brilliant company he stood out like a black panther in a pack of mangy alley cats. Though his head seemed carved from a block of black onyx, and his handsome Nilotic features were impassive, yet there was a force within him that seemed to fill all the room. It was like standing on the high slopes of a dark Vesuvius, knowing that at any instant it could boil over into cataclysmic eruption.

Moses Gama turned his head and looked at Tara. He did not smile, but a shadowy thing moved in the depths of his dark gaze.

'Mrs Courtney - I asked Molly to invite you." 'Please don't call me that. My name is Tara." 'We must talk later, Tara. Will you stay?" She could not answer, she was too overcome at being singled out, but she nodded dumbly.

'If you are ready, Moses, we can begin,' Molly suggested, and taking him out of the group led him to the raised dais on which the piano stood.