Raise the Titanic - Cussler Clive. Страница 32

    "Oh my, yes." Vogel bent down and opened the case. "Here, you can read it for yourself."

    He set the cornet on Sandecker's desk. The three men stared at it silently for a long time-a gleaming instrument whose golden surface reflected the morning sun that was streaming in the window. The cornet looked brand-new. Every inch was buffed to a high shine and the intricate engraving of sea waves that curled around the tube and bell were as clear as the day they were etched. Sandecker gazed over the cornet at Vogel, his brows lifted in doubt.

    "Mr. Vogel, I think you fail to see the seriousness of the situation. I don't care for jokes."

    "I admit," Vogel snapped back, "that I fail to see the seriousness of the situation. What I do see is a moment of tremendous excitement. And believe me, Admiral, this is no joke. I have spent the best part of the last twenty-four hours restoring your discovery." He threw a bulky folder on the desk. "Here is my report, complete with photographs and my step-by-step observations during the restoration procedure. There are also envelopes containing the different types of residue and mud that I removed, and also the parts that I replaced. I overlooked nothing."

    "I apologize," Sandecker said. "Yet it seems inconceivable that the instrument we sent you yesterday, and the instrument on the desk are one and the same." Sandecker paused and exchanged glances with Pitt. "You see, we . . ."

    ". . . thought the cornet had rested on the sea bottom for a long time," Vogel finished the sentence. "I'm fully aware of what you're driving at, Admiral. And I confess I'm at a loss as to the instrument's remarkable condition, too. I've worked on any number of musical instruments which have been immersed in salt water for only three to five years that were in far worse shape than this one. I'm not an oceanographer so the solution to the puzzle eludes me. However, I can tell you to the day how long that cornet has been beneath the sea and how it came to be there."

    Vogel reached over and picked up the horn. Then he slipped on a pair of rimless glasses and began reading aloud. "Presented to Graham Farley in sincere appreciation for distinguished performance in the entertainment of our passengers by the grateful management of the White Star Line." Vogel removed his glasses and smiled benignly at Sandecker. "When I discovered the words White Star Line, I got a friend out of bed early this morning to do a bit of research at the Naval Archives. He called only a half hour before I left for your office." Vogel paused to remove a handkerchief from his pocket and blew his nose. "It seems Graham Farley was a very popular fellow throughout the White Star Line. He was solo cornetist for three years on one of their vessels . . . I believe it was called the Oceanic. When the company's newest luxury liner was about to set sail on her maiden voyage, the management selected the outstanding musicians from their other passenger ships and formed what was considered at the time the finest orchestra on the seas. Graham, of course, was one of the first musicians chosen. Yes, gentlemen, this cornet has rested under the Atlantic Ocean for a very long time . . . because Graham Farley was playing it on the morning of April 15, 1912, when the waves closed over him and the Titanic. "

    The reactions to Vogel's sudden revelation were mixed. Sandecker's face turned half-somber, half-speculative; Gunn's went rigid; while Pitt's expression was one of casual interest. The silence in the room became intense as Vogel stuffed his glasses back in a breast pocket.

    "Titanic." Sandecker repeated the word slowly, like a man savoring a beautiful woman's name. He gazed penetratingly at Vogel, wonder mingled with doubt still mirrored in his eyes. "It's incredible."

    "A fact nonetheless," Vogel said casually. "I take it, Commander Gunn, that the cornet was discovered by the Sappho I?"

    "Yes, near the end of the voyage."

    "It would appear that your undersea expedition stumbled on a bonus. A pity you didn't run onto the ship herself."

    "Yes, a pity," Gunn said, avoiding Vogel's eyes.

    "I'm still at a loss as to the instrument's condition," Sandecker said. "I hardly expected a relic sunk in the sea for seventy-five years to come up looking little the worse for wear."

    "The lack of corrosion does pose an interesting question," Vogel replied. "The brass most certainly would weather well, but, strangely, the parts containing ferrous metals survived in a remarkable virgin state. The original mouthpiece, as you can see, is near-perfect."

    Gunn was staring at the cornet as if it was the holy grail. "Will it still play?"

    "Yes," Vogel answered. "Quite beautifully, I should think."

    "You haven't tried it?"

    "No . . . I have not." Vogel ran his fingers reverently over the cornet's valves. "Up to now, I have always tested every brass instrument my assistants and I have restored for its brilliance of tone. This time I cannot."

    "I don't understand," Sandecker said.

    "This instrument is a reminder of a small, but courageous act performed during the worst sea tragedy in man's history," Vogel replied. "It takes very little imagination to envision Graham Farley and his fellow musicians while they soothed the frightened ship's passengers with music, sacrificing all thought of their own safety, as the Titanic settled into the cold sea. The cornet's last melody came from the lips of a very brave man. I feel it would border on the sacrilegious for anyone else ever to play it again."

    Sandecker stared at Vogel, examining every feature of the old man's face as if he were seeing it for the first time.

    "'Autumn'," Vogel was murmuring, almost rambling to himself. "'Autumn', an old hymn. That was the last melody Graham Farley played on his cornet."

    "Not 'Nearer My God to Thee'?''  Gunn spoke slowly.

    "A myth," said Pitt. "'Autumn' was the final tune that was heard from the Titanic's band just before the end."

    "You seem to have made a study of the Titanic," Vogel said.

    "The ship and her tragic fate is like a contagious disease," Pitt replied. "Once you become interested, the fever is tough to break."

    "The ship itself holds little attraction for me. But as a historian of musicians and their instruments, the saga of the Titanic's band has always gripped my imagination." Vogel set the cornet in the case, closed the lid, and passed it across the desk to Sandecker. "Unless you have more questions, Admiral, I'd like to grab a fattening breakfast and fall into bed. It was a difficult night."

    Sandecker stood. "We're in your debt, Mr. Vogel."

    "I was hoping you might say that," the Santa Claus eyes twinkled slyly. "There is a way you can repay me."

    "Which is?"

    "Donate the cornet to the Washington Museum. It would be the prize exhibit of our Hall of Music."

    "As soon as our lab people have studied the instrument and your report, I'll send it over to you."

    "On behalf of the museum's directors, I thank you."

    "Not as a gift donation, however."

    Vogel stared uncertainly at the Admiral.

    "I don't follow."

    Sandecker smiled. "Let's call it a permanent loan. That will save hassle in case we ever have to borrow it back temporarily."