The Big Sleep - Chandler Raymond. Страница 20

The sound of the steps grew louder, and the whistling went on cheerfully. In a moment the jerkin showed. I stepped out between the two cars and said: "Got a match, buddy?"

The boy spun towards me and his right hand darted up to go inside the jerkin. His eyes were a wet shine in the glow of the round electroliers. Moist dark eyes shaped like almonds, and a pallid handsome face with wavy black hair growing low on the forehead in two points. A very handsome boy indeed, the boy from Geiger's store.

He stood there looking at me silently, his right hand on the edge of the jerkin, but not inside it yet. I held the little revolver down at my side.

"You must have thought a lot of that queen," I said.

"Go — — yourself," the boy said softly, motionless between the parked cars and the five-foot retaining wall on the inside of the sidewalk.

A siren wailed distantly coming up the long hill. The boy's head jerked towards the sound. I stepped in close and put my gun into his jerkin.

"Me or the cops?" I asked him.

His head rolled a little sideways as if I had slapped his face. "Who are you?" he snarled.

"Friend of Geiger's."

"Get away from me, you son of a bitch."

"This is a small gun, kid. I'll give it you through the navel and it will take three months to get you well enough to walk. But you'll get well. So you can walk to the nice new gas chamber up in Quentin."

He said: "Go — — yourself." His hand moved inside the jerkin. I pressed harder on his stomach. He let out a long soft sigh, took his hand away from the jerkin and let it fall limp at his side. His wide shoulders sagged. "What you want?" he whispered.

I reached inside the jerkin and plucked out the automatic. "Get into my car, kid."

He stepped past me and I crowded him from behind. He got into the car.

"Under the wheel, kid. You drive."

He slid under the wheel and I got into the car beside him. I said: "Let the prowl car pass up the hill. They'll think we moved over when we heard the siren. Then turn her down hill and we'll go home."

I put Carmen's gun away and leaned the automatic against the boy's ribs. I looked back through the window. The whine of the siren was very loud now. Two red lights swelled in the middle of the street. They grew larger and blended into one and the car rushed by in a wild flurry of sound.

"Let's go," I said.

The boy swung the car and started off down the hill.

"Let's go home," I said. "To Laverne Terrace."

His smooth lips twitched. He swung the car west on Franklin. "You're a simple-minded lad. What's your name?"

"Carol Lundgren," he said lifelessly.

"You shot the wrong guy, Carol. Joe Brody didn't kill your queen."

He spoke three words to me and kept on driving.

17

A moon half gone from the full glowed through a ring of mist among the high branches of the eucalyptus trees on Laverne Terrace. A radio sounded loudly from a house low down the hill. The boy swung the car over to the box hedge in front of Geiger's house, killed the motor and sat looking straight before him with both hands on the wheel. No light showed through Geiger's hedge.

I said: "Anybody home, son?"

"You ought to know."

"How would I know."

"Go — — yourself."

"That's how people get false teeth."

He showed me his in a tight grin. Then he kicked the door open and got out. I scuttled out after him. He stood with his fists on his hips, looking silently at the house above the top of the hedge.

"All right," I said. "You have a key. Let's go on in."

"Who said I had a key?"

"Don't kid me, son. The fag gave you one. You've got a nice clean manly little room in there. He shooed you out and locked it up when he had lady visitors. He was like Caesar, a husband to women and a wife to men. Think I can't figure people like him and you out?"

I still held his automatic more or less pointed at him, but he swung on me just the same. It caught me flush on the chin. I backstepped fast enough to keep from falling, but I took plenty of the punch. It was meant to be a hard one, but a pansy has no iron in his bones, whatever he looks like.

I threw the gun down at the kid's feet and said: "Maybe you need this."

He stooped for it like a flash. There was nothing slow about his movments. I sank a fist in the side of his neck. He toppled over sideways, clawing for the gun and not reaching it. I picked it up again and threw it in the car. The boy came up on all fours, leering with his eyes too wide open. He coughed and shook his head.

"You don't want to fight," I told him. "You're giving away too much weight."

He wanted to fight. He shot at me like a plane from a catapult, reaching for my knees in a diving tackle. I sidestepped and reached for his neck and took it into chancery. He scraped the dirt hard and got his feet under him enough to use his hands on me where it hurt. I twisted him around and heaved him a little higher. I took hold of my right wrist with my left hand and turned my right hipbone into him and for a moment it was a balance of weights. We seemed to hang there in the misty moonlight, two grotesque creatures whose feet scraped on the road and whose breath panted with effort.

I had my right forearm against his windpipe now and all the strength of both arms in it. His feet began a frenetic shuffle and he wasn't panting any more. He was ironbound. His left foot sprawled off to one side and the knee went slack. I held on half a minute longer. He sagged on my arm, an enormous weight I could hardly hold up. Then I let go. He sprawled at my feet, out cold. I went to the car and got a pair of handcuffs out of the glove compartment and twisted his wrists behind him and snapped them on. I lifted him by the armpits and managed to drag him in behind the hedge, out of sight from the street. I went back to the car and moved it a hundred feet up the hill and locked it.

He was still out when I got back. I unlocked the door, dragged him into the house, shut the door. He was beginning to gasp now. I switched a lamp on. His eyes fluttered open and focused on me slowly.

I bent down, keeping out of the way of his knees and said: "Keep quiet or you'll get the same and more of it. Just lie quiet and hold your breath. Hold it until you can't hold it any longer and then tell yourself that you have to breathe, that you're black in the face, that your eyeballs are popping out, and that you're going to breathe right now, but that you're sitting strapped in the chair in the clean little gas chamber up in San Quentin and when you take that breath you're fighting with all your soul not to take it, it won't be air you'll get, it will be cyanide fumes. And that's what they call humane execution in our state now."

"Go — — yourself," he said with a soft stricken sigh.

"You're going to cop a plea, brother, don't ever think you're not. And you're going to say just what we want you to say and nothing we don't want you to say."

"Go — — yourself."

"Say that again and I'll put a pillow under your head."

His mouth twitched. I left him lying on the floor with his wrists shackled behind him and his cheek pressed into the rug and an animal brightness in his visible eye. I put on another lamp and stepped into the hallway at the back of the living room. Geiger's bedroom didn't seem to have been touched. I opened the door, not locked now, of the bedroom across the hall from it. There was a dim flickering light in the room and a smell of sandalwood. Two cones of incense ash stood side by side on a small brass tray on the bureau. The light came from the two tall black candles in the foot-high candlesticks. They were standing on straight-backed chairs, one on either side of the bed.