The Big Sleep - Chandler Raymond. Страница 30

"You better have a drink," I said.

She moved her chin, a point of paleness in the corner of the seat. I turned diagonally into the curb and parked. "A little black coffee and a smattering of rye would go well," I said.

"I could get as drunk as two sailors and love it."

I held the door for her and she got out close to me, brushing my cheek with her hair. We went into the drugstore. I bought a pint of rye at the liquor counter and carried it over to the stools and set it down on the cracked marble counter.

"Two coffees," I said. "Black, strong and made this year."

"You can't drink liquor in here," the clerk said. He had a washed-out blue smock, was thin on top as to hair, had fairly honest eyes and his chin would never hit a wall before he saw it.

Vivian Regan reached into her bag for a pack of cigarettes and shook a couple loose just like a man. She held them towards me.

"It's against the law to drink liquor in here," the clerk said.

I lit the cigarettes and didn't pay any attention to him. He drew two cups of coffee from a tarnished nickel urn and set them in front of us. He looked at the bottle of rye, muttered under his breath and said wearily: "Okey, I'll watch the street while you pour it."

He went and stood at the display window with his back to us and his ears hanging out.

"My heart's in my mouth doing this," I said, and unscrewed the top of the whiskey bottle and loaded the coffee. "The law enforcement in this town is terrific. All through prohibition Eddie Mars' place was a night club and they had two uniformed men in the lobby every night — to see that the guests didn't bring their own liquor instead of buying it from the house."

The clerk turned suddenly and walked back behind the counter and went in behind the little glass window of the prescription room.

We sipped our loaded coffee. I looked at Vivian's face in the mirror back of the coffee urn. It was taut, pale, beautiful and wild. Her lips were red and harsh.

"You have wicked eyes," I said. "What's Eddie Mars got on you?"

She looked at me in the mirror. "I took plenty away from him tonight at roulette — starting with five grand I borrowed from him yesterday and didn't have to use."

"That might make him sore. You think he sent that loogan after you?"

"What's a loogan?"

"A guy with a gun."

"Are you a loogan?"

"Sure," I laughed. "But strictly speaking a loogan is on the wrong side of the fence."

"I often wonder if there is a wrong side."

"We're losing the subject. What has Eddie Mars got on you?"

"You mean a hold on me of some sort?"

"Yes."

Her lip curled. "Wittier, please, Marlowe. Much wittier."

"How's the General? I don't pretend to be witty."

"Not too well. He didn't get up today. You could at least stop questioning me."

"I remember a time when I thought the same about you. How much does the General know?"

"He probably knows everything."

"Norris would tell him?"

"No. Wilde, the District Attorney, was out to see him. Did you burn those pictures?"

"Sure. You worry about your little sister, don't you — from time to time."

"I think she's all I do worry about. I worry about Dad in a way, to keep things from him."

"He hasn't many illusions," I said, "but I suppose he still has pride."

"We're his blood. That's the hell of it." She stared at me in the mirror with deep, distant eyes. "I don't want him to die despising his own blood. It was always wild blood, but it wasn't always rotten blood."

"Is it now?"

"I guess you think so."

"Not yours. You're just playing the part."

She looked down. I sipped some more coffee and lit another cigarette for us. "So you shoot people," she said quietly. "You're a killer."

"Me? How?"

"The papers and the police fixed it up nicely. But I don't believe everything I read."

"Oh, you think I accounted for Geiger — or Brody — or both of them."

She didn't say anything. "I didn't have to," I said. "I might have, I suppose, and got away with it. Neither of them would have hesitated to throw lead at me."

"That makes you just a killer at heart, like all cops."

"Oh, nuts."

"One of those dark deadly quiet men who have no more feelings than a butcher has for slaughtered meat. I knew it the first time I saw you."

"You've got enough shady friends to know different."

"They're all soft compared to you."

"Thanks, lady. You're no English muffin yourself."

"Let's get out of this rotten little town."

I paid the check, put the bottle of rye in my pocket, and we left. The clerk still didn't like me.

We drove away from Las Olindas through a series of little dank beach towns with shack-like houses built down on the sand close to the rumble of the surf and larger houses built back on the slopes behind. A yellow window shone here and there, but most of the houses were dark. A smell of kelp came in off the water and lay on the fog. The tires sang on the moist concrete of the boulevard. The world was a wet emptiness.

We were close to Del Rey before she spoke to me for the first time since we left the drugstore. Her voice had a muffled sound, as if something was throbbing deep under it.

"Drive down by the Del Rey beach club. I want to look at the water. It's the next street on the left."

There was a winking yellow light at the intersection. I turned the car and slid down a slope with a high bluff on one side, interrurban tracks to the right, a low straggle of light far off beyond the tracks, and then very far off a glitter of pier lights and a haze in the sky over a city. That way the fog was almost gone. The road crossed the tracks where they turned to run under the bluff, then reached a paved strip of waterfront highway that bordered an open and uncluttered beach. Cars were parked along the sidewalk, facing out to sea, dark. The lights of the beach club were a few hundred yards away.

I braked the car against the curb and switched the headlights off and sat with my hands on the wheel. Under the thinning fog the surf curled and creamed, almost without sound, like a thought trying to form itself on the edge of consciousness.

"Move closer," she said almost thickly.

I moved out from under the wheel into the middle of the seat. She turned her body a little away from me as if to peer out of the window. Then she let herself fall backwards, without a sound, into my arms. Her head almost struck the wheel. Her eyes were closed, her face was dim. Then I saw that her eyes opened and flickered, the shine of them visible even in the darkness.

"Hold me close, you beast," she said.

I put my arms around her loosely at first. Her hair had a harsh feeling against my face. I tightened my arms and lifted her up. I brought her face slowly up to my face. Her eyelids were flickering rapidly, like moth wings.

I kissed her tightly and quickly. Then a long slow clinging kiss. Her lips opened under mine. Her body began to shake in my arms.

"Killer," she said softly, her breath going into my mouth.

I strained her against me until the shivering of her body was almost shaking mine. I kept on kissing her. After a long time she pulled her head away enough to say: "Where do you live?"