Down and Out in the Magic Kingdom - Doctorow Cory. Страница 20

"This'll do," I said to Dan. I was exhausted and soaked with sweat, and the transdermal under my costume itched. Despite the happy-juice in my bloodstream, a streak of uncastmemberly crankiness was shot through my mood. I needed to get offstage.

Dan helped me hobble away, and as we hit the utilidor, he whispered in my ear, "This was a great idea, Julius. Really."

We jumped a tram over to Imagineering, my chest swollen with pride. Suneep had three of his assistants working on the first generation of mobile telepresence robots for the exterior, and had promised a prototype for that afternoon. The robots were easy enough-just off-the-shelf stuff, really-but the costumes and kinematics routines were something else. Thinking about what he and Suneep's gang of hypercreative super-geniuses would come up with cheered me up a little, as did being out of the public eye.

Suneep's lab looked like it had been hit by a tornado. Imagineer packs rolled in and out with arcane gizmos, or formed tight argumentative knots in the corners as they shouted over whatever their HUDs were displaying. In the middle of it all was Suneep, who looked like he was barely restraining an urge to shout Yippee! He was clearly in his element.

He threw his arms open when he caught sight of Dan and me, threw them wide enough to embrace the whole mad, gibbering chaos. "What wonderful flumgubbery!" he shouted, over the noise.

"Sure is," I agreed. "How's the prototype coming?"

Suneep waved absently, his short fingers describing trivialities in the air. "In due time, in due time. I've put that team onto something else, a kinematics routine for a class of flying spooks that use gasbags to stay aloft-silent and scary. It's old spy-tech, and the retrofit's coming tremendously. Take a look!" He pointed a finger at me and, presumably, squirted some data my way.

"I'm offline," I reminded him gently.

He slapped his forehead, took a moment to push his hair off his face, and gave me an apologetic wave. "Of course, of course. Here." He unrolled an LCD and handed it to me. A flock of spooks danced on the screen, rendered against the ballroom scene. They were thematically consistent with the existing Mansion ghosts, more funny than scary, and their faces were familiar. I looked around the lab and realized that they'd caricatured various Imagineers.

"Ah! You noticed," Suneep said, rubbing his hands together. "A very good joke, yes?"

"This is terrific," I said, carefully. "But I really need some robots up and running by tomorrow night, Suneep. We discussed this, remember?" Without telepresence robots, my recruiting would be limited to fans like Kim, who lived in the area. I had broader designs than that.

Suneep looked disappointed. "Of course. We discussed it. I don't like to stop my people when they have good ideas, but there's a time and a place. I'll put them on it right away. Leave it to me."

Dan turned to greet someone, and I looked to see who it was. Lil. Of course. She was raccoon-eyed with fatigue, and she reached out for Dan's hand, saw me, and changed her mind.

"Hi, guys," she said, with studied casualness.

"Oh, hello!" said Suneep. He fired his finger at her-the flying ghosts, I imagined. Lil's eyes rolled up for a moment, then she nodded exhaustedly at him.

"Very good," she said. "I just heard from Lisa. She says the indoor crews are on-schedule. They've got most of the animatronics dismantled, and they're taking down the glass in the Ballroom now." The Ballroom ghost effects were accomplished by means of a giant pane of polished glass that laterally bisected the room. The Mansion had been built around it-it was too big to take out in one piece. "They say it'll be a couple days before they've got it cut up and ready to remove."

A pocket of uncomfortable silence descended on us, the roar of the Imagineers rushing in to fill it.

"You must be exhausted," Dan said, at length.

"Goddamn right," I said, at the same moment that Lil said, "I guess I am."

We both smiled wanly. Suneep put his arms around Lil's and my shoulders and squeezed. He smelled of an exotic cocktail of industrial lubricant, ozone, and fatigue poisons.

"You two should go home and give each other a massage," he said. "You've earned some rest."

Dan met my eye and shook his head apologetically. I squirmed out from under Suneep's arm and thanked him quietly, then slunk off to the Contemporary for a hot tub and a couple hours of sleep.

***

I came back to the Mansion at sundown. It was cool enough that I took a surface route, costume rolled in a shoulderbag, instead of riding through the clattering, air-conditioned comfort of the utilidors.

As a freshening breeze blew across me, I suddenly had a craving for real weather, the kind of climate I'd grown up with in Toronto. It was October, for chrissakes, and a lifetime of conditioning told me that it was May. I stopped and leaned on a bench for a moment and closed my eyes. Unbidden, and with the clarity of a HUD, I saw High Park in Toronto, clothed in its autumn colors, fiery reds and oranges, shades of evergreen and earthy brown. God, I needed a vacation.

I opened my eyes and realized that I was standing in front of the Hall of Presidents, and that there was a queue ahead of me for it, one that stretched back and back. I did a quick sum in my head and sucked air between my teeth: they had enough people for five or six full houses waiting here-easily an hour's wait. The Hall never drew crowds like this. Debra was working the turnstiles in Betsy Ross gingham, and she caught my eye and snapped a nod at me.

I stalked off to the Mansion. A choir of zombie-shambling new recruits had formed up in front of the gate, and were groaning their way through "Grim Grinning Ghosts," with a new call-and-response structure. A small audience participated, urged on by the recruits on the scaffolding.

"Well, at least that's going right," I muttered to myself. And it was, except that I could see members of the ad-hoc looking on from the sidelines, and the looks weren't kindly. Totally obsessive fans are a good measure of a ride's popularity, but they're kind of a pain in the ass, too. They lipsynch the soundtrack, cadge souvenirs and pester you with smarmy, show-off questions. After a while, even the cheeriest castmember starts to lose patience, develop an automatic distaste for them.

The Liberty Square ad-hocs who were working on the Mansion had been railroaded into approving a rehab, press-ganged into working on it, and were now forced to endure the company of these grandstanding megafans. If I'd been there when it all started-instead of sleeping!-I may've been able to massage their bruised egos, but now I wondered if it was too late.

Nothing for it but to do it. I ducked into a utilidor, changed into my costume and went back onstage. I joined the call-and-response enthusiastically, walking around to the ad-hocs and getting them to join in, reluctantly or otherwise.

By the time the choir retired, sweaty and exhausted, a group of ad-hocs were ready to take their place, and I escorted my recruits to an offstage break-room.

***

Suneep didn't deliver the robot prototypes for a week, and told me that it would be another week before I could have even five production units. Though he didn't say it, I got the sense that his guys were out of control, so excited by the freedom from ad-hoc oversight that they were running wild. Suneep himself was nearly a wreck, nervous and jumpy. I didn't press it.

Besides, I had problems of my own. The new recruits were multiplying. I was staying on top of the fan response to the rehab from a terminal I'd had installed in my hotel room. Kim and her local colleagues were fielding millions of hits every day, their Whuffie accumulating as envious fans around the world logged in to watch their progress on the scaffolding.

That was all according to plan. What wasn't according to plan was that the new recruits were doing their own recruiting, extending invitations to their net-pals to come on down to Florida, bunk on their sofas and guest-beds, and present themselves to me for active duty.

The tenth time it happened, I approached Kim in the break-room. Her gorge was working, her eyes tracked invisible words across the middle distance. No doubt she was penning yet another breathless missive about the magic of working in the Mansion. "Hey, there," I said. "Have you got a minute to meet with me?"

She held up a single finger, then, a moment later, gave me a bright smile.

"Hi, Julius!" she said. "Sure!"

"Why don't you change into civvies, we'll take a walk through the Park and talk?"

Kim wore her costume every chance she got. I'd been quite firm about her turning it in to the laundry every night instead of wearing it home.

Reluctantly, she stepped into a change-room and switched into her cowl. We took the utilidor to the Fantasyland exit and walked through the late-afternoon rush of children and their adults, queued deep and thick for Snow White, Dumbo and Peter Pan.

"How're you liking it here?" I asked.

Kim gave a little bounce. "Oh, Julius, it's the best time of my life, really! A dream come true. I'm meeting so many interesting people, and I'm really feeling creative. I can't wait to try out the telepresence rigs, too."

"Well, I'm really pleased with what you and your friends are up to here. You're working hard, putting on a good show. I like the songs you've been working up, too."

She did one of those double-kneed shuffles that was the basis of any number of action vids those days and she was suddenly standing in front of me, hand on my shoulder, looking into my eyes. She looked serious.

"Is there a problem, Julius? If there is, I'd rather we just talked about it, instead of making chitchat."

I smiled and took her hand off my shoulder. "How old are you, Kim?"

"Nineteen," she said. "What's the problem?"

Nineteen! Jesus, no wonder she was so volatile. What's my excuse, then?

"It's not a problem, Kim, it's just something I wanted to discuss with you. The people you-all have been bringing down to work for me, they're all really great castmembers."

"But?"

"But we have limited resources around here. Not enough hours in the day for me to stay on top of the new folks, the rehab, everything. Not to mention that until we open the new Mansion, there's a limited number of extras we can use out front. I'm concerned that we're going to put someone on stage without proper training, or that we're going to run out of uniforms; I'm also concerned about people coming all the way here and discovering that there aren't any shifts for them to take."