Neuromancer - Gibson William. Страница 13

The transition to cyberspace, when he hit the switch, was instantaneous. He punched himself down a wall of primitive ice belonging to the New York Public Library automatically counting potential windows. Keying back into her sensorium, into the sinuous flow of muscle, senses sharp and bright.

He found himself wondering about the mind he shared these sensations with. What did he know about her? That she was another professional; that she said her being, like his, was the thing she did to make a living. He knew the way she'd moved against him, earlier, when she woke, their mutual grunt of unity when he'd entered her, and that she liked her coffee black, afterward...

Her destination was one of the dubious software rental complexes that lined Memory Lane. There was a stillness, a hush. Booths lined a central hall. The clientele were young, few of them out of their teens. They all seemed to have carbon sockets planted behind the left ear, but she didn't focus on them. The counters that fronted the booths displayed hundreds of slivers of microsoft [ 15], angular fragments of colored silicon mounted under oblong transparent bubbles on squares of white cardboard. Molly went to the seventh booth along the south wall. Behind the counter a boy with a shaven head stared vacantly into space, a dozen spikes of microsoft protruding from the socket behind his ear.

`Larry, you in, man?' She positioned herself in front of him. The boy's eyes focused. He sat up in his chair and pried a bright magenta splinter from his socket with a dirty thumbnail.

`Hey, Larry.'

`Molly.' He nodded.

`I have some work for some of your friends, Larry.'

Larry took a flat plastic case from the pocket of his red sportshirt and flicked it open, slotting the microsoft beside a dozen others. His hand hovered, selected a glossy black chip that was slightly longer than the rest, and inserted it smoothly into his head. His eyes narrowed.

`Molly's got a rider,' he said, `and Larry doesn't like that.'

`Hey,' she said, `I didn't know you were so... sensitive. I'm impressed. Costs a lot, to get that sensitive.'

`I know you, lady?' The blank look returned. `You looking to buy some softs?'

`I'm looking for the Moderns.'

`You got a rider, Molly. This says.' He tapped the black splinter. `Somebody else using your eyes.'

`My partner.'

`Tell your partner to go.'

`Got something for the Panther Moderns, Larry.'

`What are you talking about, lady?'

`Case, you take off,' she said, and he hit the switch, instantly back in the matrix. Ghost impressions of the software complex hung for a few seconds in the buzzing calm of cyberspace.

`Panther Moderns,' he said to the Hosaka, removing the trodes. `Five minute precis.'

`Ready,' the computer said.

It wasn't a name he knew. Something new, something that had come in since he'd been in Chiba. Fads swept the youth of the Sprawl at the speed of light: entire subcultures could rise overnight, thrive for a dozen weeks, and then vanish utterly. `Go,' he said. The Hosaka had accessed its array of libraries, journals, and news services.

The precis began with a long hold on a color still that Case at first assumed was a collage of some kind, a boy's face snipped from another image and glued to a photograph of a paint-scrawled wall. Dark eyes, epicanthic folds obviously the result of surgery, an angry dusting of acne across pale narrow cheeks. The Hosaka released the freeze; the boy moved, flowing with the sinister grace of a mime pretending to be a jungle predator. His body was nearly invisible, an abstract pattern approximating the scribbled brickwork sliding smoothly across his tight onepiece. Mimetic polycarbon.

Cut to Dr.~ Virginia Rambali, Sociology, NYU, her name, faculty, and school pulsing across the screen in pink alphanumerics.

`Given their penchant for these random acts of surreal violence,' someone said, `it may be difficult for our viewers to understand why you continue to insist that this phenomenon isn't a form of terrorism.'

Dr.~ Rambali smiled. `There is always a point at which the terrorist ceases to manipulate the media gestalt. A point at which the violence may well escalate, but beyond which the terrorist has become symptomatic of the media gestalt itself. Terrorism as we ordinarily understand it is inately media-related. The Panther Moderns differ from other terrorists precisely in their degree of self-consciousness, in their awareness of the extent to which media divorce the act of terrorism from the original sociopolitical intent...'

`Skip it,' Case said.

Case met his first Modern two days after he'd screened the Hosaka's precis. The Moderns, he'd decided, were a contemporary version of the Big Scientists of his own late teens. There was a kind of ghostly teenage DNA at work in the Sprawl, something that carried the coded precepts of various short-lived subcults and replicated them at odd intervals. The Panther Moderns were a softhead variant on the Scientists. If the technology had been available, the Big Scientists would all have had sockets stuffed with microsofts. It was the style that mattered and the style was the same. The Moderns were mercenaries, practical jokers, nihilistic technofetishists.

The one who showed up at the loft door with a box of diskettes from the Finn was a soft-voiced boy called Angelo. His face was a simple graft grown on collagen and shark cartilage polysaccharides, smooth and hideous. It was one of the nastiest pieces of elective surgery Case had ever seen. When Angelo smiled, revealing the razor-sharp canines of some large animal, Case was actually relieved. Toothbud transplants. He'd seen that before.

`You can't let the little pricks generation-gap you,' Molly said. Case nodded, absorbed in the patterns of the Sense/Net ice.

This was it. This was what he was, who he was, his being. He forgot to eat. Molly left cartons of rice and foam trays of sushi on the corner of the long table. Sometimes he resented having to leave the deck to use the chemical toilet they'd set up in a corner of the loft. Ice patterns formed and reformed on the screen as he probed for gaps, skirted the most obvious traps, and mapped the route he'd take through Sense/Net's ice. It was good ice. Wonderful ice. Its patterns burned there while he lay with his arm under Molly's shoulders, watching the red dawn through the steel grid of the skylight. Its rainbow pixel maze was the first thing he saw when he woke. He'd go straight to the deck, not bothering to dress, and jack in. He was cutting it. He was working. He lost track of days.

And sometimes, falling asleep, particularly when Molly was off on one of her reconnaissance trips with her rented cadre of Moderns, images of Chiba came flooding back. Faces and Ninsei neon. Once he woke from a confused dream of Linda Lee, unable to recall who she was or what she'd ever meant to him. When he did remember, he jacked in and worked for nine straight hours.

The cutting of Sense/Net's ice took a total of nine days.

`I said a week,' Armitage said, unable to conceal his satisfaction when Case showed him his plan for the run. `You took your own good time.'

`Balls,' Case said, smiling at the screen. `That's good work, Armitage.'

`Yes,' Armitage admitted, `but don't let it go to your head. Compared to what you'll eventually be up against, this is an arcade toy.'

`Love you, Cat Mother,' whispered the Panther Modern's link man. His voice was modulated static in Case's headset. `Atlanta, Brood. Looks go. Go, got it?' Molly's voice was slightly clearer.

`To hear is to obey.' The Moderns were using some kind of chickenwire dish in New Jersey to bounce the link man's scrambled signal off a Sons of Christ the King satellite in geosynchronous orbit above Manhattan. They chose to regard the entire operation as an elaborate private joke, and their choice of comsats seemed to have been deliberate. Molly's signals were being beamed up from a one-meter umbrella dish epoxy-ed to the roof of a black glass bank tower nearly as tall as the Sense/Net building.